diff options
| author | Carl Hetherington <cth@carlh.net> | 2013-09-17 23:39:05 +0100 |
|---|---|---|
| committer | Carl Hetherington <cth@carlh.net> | 2013-09-17 23:39:05 +0100 |
| commit | 373f010a7f04add1f49169cbaa60cb7ae5f508d4 (patch) | |
| tree | a61fe014cbefc775dcf3a5c9a45d06e391e65b31 /doc | |
| parent | 048f9b6b5569f03d1342a04f75c83a2bad340996 (diff) | |
| parent | e888e92f354b9868337b0b022ff9be38b9c36c0f (diff) | |
Merge 1.0 in.
Diffstat (limited to 'doc')
32 files changed, 7675 insertions, 968 deletions
diff --git a/doc/design/content.tex b/doc/design/content.tex new file mode 100644 index 000000000..0f5f17025 --- /dev/null +++ b/doc/design/content.tex @@ -0,0 +1,195 @@ +\documentclass{article} +\begin{document} + +\section{Status quo} + +As at 0.78 there is an unfortunate mish-mash of code to handle the +input `content' the goes into a DCP. + +The Film has a `content' file name. This is guessed to be either a +movie (for FFmpeg) or a still-image (for ImageMagick) based on its +extension. We also have `external audio', which is a set of WAV files +for libsndfile, and a flag to enable that. + +The `content' file is badly named and limiting. We can't have +multiple content files, and it's not really the `content' as such (it +used to be, but increasingly it's only a part of the content, on equal +footing with `external' audio). + +The choice of sources for sound is expressed clumsily by the +AudioStream class hierarchy. + + +\section{Targets} + +We want to be able to implement the following: + +\begin{itemize} +\item Immediately: +\begin{itemize} +\item Multiple still images, each with their own duration, made into a `slide-show' +\item Lack of bugs in adding WAV-file audio to still images. +\item External subtitle files (either XML or SRT) to be converted to XML subtitles in the DCP. +\end{itemize} + +\item In the future: +\begin{itemize} +\item Playlist-style multiple video / audio (perhaps). +\end{itemize} +\end{itemize} + + +\section{Content hierarchy} + +One idea is to have a hierarchy of Content classes (\texttt{Content}, +\texttt{\{Video/Audio\}Content}, \texttt{FFmpegContent}, \texttt{ImageMagickContent}, +\texttt{SndfileContent}). + +Then the Film has a list of these, and decides what to put into the +DCP based on some rules. These rules would probably be fixed (for +now), with the possibility to expand later into some kind of playlist. + + +\section{Immediate questions} + +\subsection{What Film attributes are video-content specific, and which are general?} + +Questionable attributes: + +\begin{itemize} +\item Trust content header +\item Crop +\item Filters + +Post-processing (held as part of the filters description) is done in +the encoder, by which time all knowledge of the source is lost. + +\item Scaler +\item Trim start/end + +Messily tied in with the encoding side. We want to implement this +using start/end point specifications in the DCP reel, otherwise +modifying the trim points requires a complete re-encode. + +\item Audio gain +\item Audio delay +\item With subtitles +\item Subtitle offset/scale +\item Colour LUT +\end{itemize} + +Attributes that I think must remain in Film: +\begin{itemize} +\item DCP content type +\item Format +\item A/B +\item J2K bandwidth +\end{itemize} + +Part of the consideration here is that per-content attributes need to +be represented in the GUI differently to how things are represented +now. + +Bear in mind also that, as it stands, the only options for video are: + +\begin{enumerate} +\item An FFmpeg video +\item A set of stills +\end{enumerate} + +and so the need for multiple scalers, crop and filters is +questionable. Also, there is one set of audio (either from WAVs or +from the FFMpeg file), so per-content audio gain/delay is also +questionable. Trust content header is only applicable for FFmpeg +content, really. Similarly trim, with-subtitles, subtitle details, +colour LUT; basically none of it is really important right now. + +Hence it may be sensible to keep everything in Film and move it later +along YAGNI lines. + + +\subsection{Who answers questions like: ``what is the length of video?''?} + +If we have FFmpeg video, the question is easy to answer. For a set of +stills, it is less easy. Who knows that we are sticking them all +together end-to-end, with different durations for each? + +If we have one-content-object equalling one file, the content objects +will presumably know how long their file should be displayed for. +There would appear to be two options following this: + +\begin{enumerate} +\item There is one \texttt{ImageMagickDecoder} which is fed all the + files, and outputs them in order. The magic knowledge is then + within this class, really. +\item There are multiple \texttt{ImageMagickDecoder} classes, one per + \texttt{..Content}, and some controlling (`playlist') class to manage + them. The `playlist' is then itself a + \texttt{\{Video/Audio\}Source}, and has the magic knowledge. +\end{enumerate} + + +\section{Playlist approach} + +Let's try the playlist approach. We define a hierarchy of content classes: + +\begin{verbatim} + +class Content +{ +public: + boost::filesystem::path file () const; +}; + +class VideoContent : virtual public Content +{ +public: + VideoContentFrame video_length () const; + float video_frame_rate () const; + libdcp::Size size () const; + +}; + +class AudioContent : virtual public Content +{ + +}; + +class FFmpegContent : public VideoContent, public AudioContent +{ +public: + .. stream stuff .. +}; + +class ImageMagickContent : public VideoContent +{ + +}; + +class SndfileContent : public AudioContent +{ +public: + .. channel allocation for this file .. +}; +\end{verbatim} + +Then Film has a \texttt{Playlist} which has a +\texttt{vector<shared\_ptr<Content> >}. It can answer questions +about audio/video length, frame rate, audio channels and so on. + +\texttt{Playlist} can also be a source of video and audio, so clients can do: + +\begin{verbatim} +shared_ptr<Playlist> p = film->playlist (); +p->Video.connect (foo); +p->Audio.connect (foo); +while (!p->pass ()) { + /* carry on */ +} +\end{verbatim} + +Playlist could be created on-demand for all the difference it would +make. And perhaps it should, since it will hold Decoders which are +probably run-once. + +\end{document} diff --git a/doc/design/timing.tex b/doc/design/timing.tex new file mode 100644 index 000000000..d71b48f23 --- /dev/null +++ b/doc/design/timing.tex @@ -0,0 +1,77 @@ +\documentclass{article} +\begin{document} + +We are trying to implement full-ish playlist based content specification. The timing is awkward. + +\section{Reference timing} + +Frame rates of things can vary a lot; content can be in pretty much +anything, and DCP video and audio frame rates may change on a whim +depending on what is best for a given set of content. This suggests +(albeit without strong justification) the need for a frame-rate-independent unit of time. + +So far we've been using a time type called \texttt{Time} expressed in +$\mathtt{TIME\_HZ}^{-1}$; e.g. \texttt{TIME\_HZ} units is 1 second. +\texttt{TIME\_HZ} is chosen to be divisible by lots of frame and +sample rates. + +We express content start time as a \texttt{Time}. + + +\section{Timing at different stages of the chain} + +Let's try this: decoders produce sequences of (perhaps) video frames +and (perhaps) audio frames. There are no gaps. They are at the +content's native frame rates and are synchronised (meaning that if +they are played together, at the content's frame rates, they will be +in sync). The decoders give timestamps for each piece of their +output, which are \emph{simple indices} (\texttt{ContentVideoFrame} +and \texttt{ContentAudioFrame}). Decoders know nothing of \texttt{Time}. + + +\section{Split of stuff between decoders and player} + +In some ways it seems nice to have decoders which produce the rawest +possible data and make the player sort it out (e.g.\ cropping and +scaling video, resampling audio). The resampling is awkward, though, +as you really need one resampler per source. So it might make more sense +to put stuff in the decoder. But then, what's one map of resamplers between friends? + +On the other hand, having the resampler in the player is confusing. Audio comes in +at a frame `position', but then it gets resampled and not all of it may emerge from +the resampler. This means that the position is meaningless, and we want a count +of samples out from the resampler (which can be done more elegantly by the decoder's +\texttt{\_audio\_position}. + + +\section{Options for what \texttt{Time} is a function of} + +I've been trying for a while with \texttt{Time} as a wall-clock +`real-time' unit. This means that the following is tricky: + +\begin{enumerate} +\item Add content at 29.97 fps +\item Length of this content is converted to \texttt{Time} using the + current DCP frame rate (which will be 29.97). +\item Add more content at 25 fps. +\item This causes the DCP frame rate to be changed to 25 fps, and so + the first piece of content is now being run slower and so its length + changes. +\end{enumerate} + +I think this is the cause of content being overlapped in this case. + +It is tempting to solve this by making Time a subdivsion of DCP video +frame rate. This makes things nicer in many ways; you get a 1:1 +mapping of content video frames to Time in most cases, but not when +video frames are skipped to halve the frame rate, say. In this case +you could have a piece of content at 50 fps which is some time $T$ +long at at DCP rate of 50 fps, but half as long at a DCP rate of 25 fps. + +I'm fairly sure that there is inherently not a nice representation which +will obviate the need for things to be recalculated when DCP rate changes. + +On the plus side, lengths in \texttt{Time} are computed on-demand from +lengths kept as source frames. + +\end{document} diff --git a/doc/mainpage.txt b/doc/mainpage.txt index 59c578899..649c9c609 100644 --- a/doc/mainpage.txt +++ b/doc/mainpage.txt @@ -1,37 +1,37 @@ -/** @mainpage DVD-o-matic +/** @mainpage DCP-o-matic * - * DVD-o-matic is a tool to create digital cinema packages (DCPs) from + * DCP-o-matic is a tool to create digital cinema packages (DCPs) from * video files, or from sets of TIFF image files. It is written in C++ * and distributed under the GPL. * * Video files are decoded using FFmpeg (http://ffmpeg.org), so any video - * supported by FFmpeg should be usable with DVD-o-matic. DVD-o-matic's output has been + * supported by FFmpeg should be usable with DCP-o-matic. DCP-o-matic's output has been * tested on numerous digital projectors. * - * DVD-o-matic allows you to crop black borders from movies, scale them to the correct + * DCP-o-matic allows you to crop black borders from movies, scale them to the correct * aspect ratio and apply FFmpeg filters. The time-consuming encoding of JPEG2000 files * can be parallelised amongst any number of processors on the local host and any number * of servers over a network. * - * DVD-o-matic can also make DCPs from still images, for advertisements and such-like. + * DCP-o-matic can also make DCPs from still images, for advertisements and such-like. * - * Parts of DVD-o-matic are based on OpenDCP (http://code.google.com/p/opendcp), + * Parts of DCP-o-matic are based on OpenDCP (http://code.google.com/p/opendcp), * written by Terrence Meiczinger. * - * DVD-o-matic uses libopenjpeg (http://code.google.com/p/openjpeg/) for JPEG2000 encoding + * DCP-o-matic uses libopenjpeg (http://code.google.com/p/openjpeg/) for JPEG2000 encoding * and libsndfile (http://www.mega-nerd.com/libsndfile/) for WAV file manipulation. It * also makes heavy use of the boost libraries (http://www.boost.org/). ImageMagick * (http://www.imagemagick.org/) is used for still-image encoding and decoding, and the GUI is * built using wxWidgets (http://wxwidgets.org/). It also uses libmhash (http://mhash.sourceforge.net/) * for debugging purposes. * - * Thanks are due to the authors and communities of all DVD-o-matic's dependencies. + * Thanks are due to the authors and communities of all DCP-o-matic's dependencies. * - * DVD-o-matic is distributed in the hope that there are still cinemas with projectionists + * DCP-o-matic is distributed in the hope that there are still cinemas with projectionists * who might want to use it. As Mark Kermode says, "if it doesn't have a projectionist * it's not a cinema - it's a sweetshop with a video-screen." * * Email correspondance is welcome to cth@carlh.net * - * More details can be found at http://carlh.net/software/dvdomatic + * More details can be found at http://carlh.net/software/dcpomatic */ diff --git a/doc/manual/Makefile b/doc/manual/Makefile index 94abc8516..bb3c3167e 100644 --- a/doc/manual/Makefile +++ b/doc/manual/Makefile @@ -1,14 +1,15 @@ -# DVD-o-matic manual makefile +# DCP-o-matic manual makefile all: html pdf -DIAGRAMS := +DIAGRAMS := file-structure.svg 3d-left-right.svg -SCREENSHOTS := file-new.png video-new-film.png still-new-film.png click-content-selector.png video-select-content-file.png \ - still-select-content-file.png examine-thumbs.png \ - calculate-audio-gain.png prefs.png making-dcp.png filters.png film-tab.png video-tab.png audio-tab.png subtitles-tab.png +SCREENSHOTS := file-new.png video-new-film.png still-new-film.png video-select-content-file.png \ + still-select-content-file.png examine-thumbs.png examine-content.png timing-tab.png \ + calculate-audio-gain.png prefs.png making-dcp.png filters.png video-tab.png audio-tab.png subtitles-tab.png \ + audio-plot.png audio-map-eg1.png audio-map-eg2.png audio-map-eg3.png -XML := dvdomatic.xml +XML := dcpomatic.xml GRAPHICS := @@ -49,6 +50,9 @@ html/screenshots/new-session.png: screenshots/new-session.png html/screenshots/export-dialogue.png: screenshots/export-dialogue.png mkdir -p html/screenshots convert -resize 75% $< $@ +html/screenshots/making-dcp.png: screenshots/making-dcp.png + mkdir -p html/screenshots + convert -resize 75% $< $@ # For HTML: convert graphics from SVG to PNG graphics/%.png: graphics/%.svg @@ -70,7 +74,7 @@ diagrams/%.pdf: diagrams/%.svg # HTML # -html: $(XML) dvdomatic-html.xsl extensions-html.ent dvdomatic.css \ +html: $(XML) dcpomatic-html.xsl extensions-html.ent dcpomatic.css \ $(addprefix html/screenshots/,$(SCREENSHOTS)) \ $(subst .svg,.png,$(addprefix diagrams/,$(DIAGRAMS))) \ $(subst .svg,.png,$(addprefix graphics/,$(GRAPHICS))) \ @@ -80,19 +84,20 @@ html: $(XML) dvdomatic-html.xsl extensions-html.ent dvdomatic.css \ cp extensions-html.ent extensions.ent # DocBoox -> html - xmlto html -m dvdomatic-html.xsl dvdomatic.xml --skip-validation -o html + xmlto html -m dcpomatic-html.xsl dcpomatic.xml --skip-validation -o html # Copy graphics and CSS in -# mkdir -p html/diagrams html/graphics -# cp diagrams/*.png html/diagrams + mkdir -p html/diagrams +# mkdir -p html/graphics + cp diagrams/*.png html/diagrams # cp graphics/*.png html/graphics - cp dvdomatic.css html + cp dcpomatic.css html # # PDF # -pdf: $(XML) dvdomatic-pdf.xsl extensions-pdf.ent screenshots/*.png $(subst .svg,.pdf,$(addprefix diagrams/,$(DIAGRAMS))) +pdf: $(XML) dcpomatic-pdf.xsl extensions-pdf.ent screenshots/*.png $(subst .svg,.pdf,$(addprefix diagrams/,$(DIAGRAMS))) # The DocBook needs to know what file extensions to look for # for screenshots and diagrams; use the correct file to tell it. @@ -100,14 +105,14 @@ pdf: $(XML) dvdomatic-pdf.xsl extensions-pdf.ent screenshots/*.png $(subst .svg, mkdir -p pdf - dblatex -p dvdomatic-pdf.xsl -s dvdomatic.sty -r pptex.py -T native dvdomatic.xml -t pdf -o pdf/dvdomatic.pdf + dblatex -p dcpomatic-pdf.xsl -s dcpomatic.sty -r pptex.py -T native dcpomatic.xml -t pdf -o pdf/dcpomatic.pdf # # LaTeX (handy for debugging) # -tex: $(XML) dvdomatic-pdf.xsl extensions-pdf.ent +tex: $(XML) dcpomatic-pdf.xsl extensions-pdf.ent # The DocBook needs to know what file extensions to look for # for screenshots and diagrams; use the correct file to tell it. @@ -116,8 +121,8 @@ tex: $(XML) dvdomatic-pdf.xsl extensions-pdf.ent mkdir -p tex # -P <foo> removes the revhistory table - dblatex -P doc.collab.show=0 -P latex.output.revhistory=0 -p dvdomatic-pdf.xsl -s dvdomatic.sty -r pptex.py -T native dvdomatic.xml -t tex -o tex/dvdomatic.tex + dblatex -P doc.collab.show=0 -P latex.output.revhistory=0 -p dcpomatic-pdf.xsl -s dcpomatic.sty -r pptex.py -T native dcpomatic.xml -t tex -o tex/dcpomatic.tex -clean:; rm -rf html pdf diagrams/*.pdf diagrams/*.png graphics/*.png *.aux dvdomatic.cb dvdomatic.cb2 dvdomatic.glo dvdomatic.idx dvdomatic.ilg - rm -rf dvdomatic.ind dvdomatic.lof dvdomatic.log dvdomatic.tex dvdomatic.toc extensions.ent dvdomatic.out +clean:; rm -rf html pdf diagrams/*.pdf diagrams/*.png graphics/*.png *.aux dcpomatic.cb dcpomatic.cb2 dcpomatic.glo dcpomatic.idx dcpomatic.ilg + rm -rf dcpomatic.ind dcpomatic.lof dcpomatic.log dcpomatic.tex dcpomatic.toc extensions.ent dcpomatic.out diff --git a/doc/manual/dvdomatic-html.xsl b/doc/manual/dcpomatic-html.xsl index 059d7ead7..144675d47 100644 --- a/doc/manual/dvdomatic-html.xsl +++ b/doc/manual/dcpomatic-html.xsl @@ -4,7 +4,7 @@ version="1.0"> <!-- Our CSS --> -<xsl:param name="html.stylesheet" select="'dvdomatic.css'"/> +<xsl:param name="html.stylesheet" select="'dcpomatic.css'"/> <!-- I can't fathom xmlto's logic with image scaling, so I've turned it off --> <xsl:param name="ignore.image.scaling" select="1"/> diff --git a/doc/manual/dvdomatic-pdf.xsl b/doc/manual/dcpomatic-pdf.xsl index 414fb64b8..c4ced0deb 100644 --- a/doc/manual/dvdomatic-pdf.xsl +++ b/doc/manual/dcpomatic-pdf.xsl @@ -9,7 +9,7 @@ <xsl:param name="latex.output.revhistory">0</xsl:param> <!-- hack images to vaguely the right size --> -<xsl:param name="imagedata.default.scale">scale=0.6</xsl:param> +<xsl:param name="imagedata.default.scale">scale=0.5</xsl:param> <!-- don't make too-ridiculous section numbers --> <xsl:param name="doc.section.depth">3</xsl:param> diff --git a/doc/manual/dvdomatic.css b/doc/manual/dcpomatic.css index 0e4982f20..0e4982f20 100644 --- a/doc/manual/dvdomatic.css +++ b/doc/manual/dcpomatic.css diff --git a/doc/manual/dvdomatic.sty b/doc/manual/dcpomatic.sty index 834e581fc..834e581fc 100644 --- a/doc/manual/dvdomatic.sty +++ b/doc/manual/dcpomatic.sty diff --git a/doc/manual/dcpomatic.xml b/doc/manual/dcpomatic.xml new file mode 100644 index 000000000..c52d32bcb --- /dev/null +++ b/doc/manual/dcpomatic.xml @@ -0,0 +1,1372 @@ +<?xml version="1.0" encoding="utf-8"?> +<!DOCTYPE book [ +<!ENTITY % sgml.features "IGNORE"> +<!ENTITY % xml.features "INCLUDE"> +<!ENTITY % dbcent PUBLIC "-//OASIS//ENTITIES DocBook Character Entities V4.5//EN" + "/usr/share/xml/docbook/schema/dtd/4.5/dbcentx.mod"> +%dbcent; +<!ENTITY % extensions SYSTEM "extensions.ent"> +%extensions; +]> +<book xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> + +<!-- By good luck or good management, the scale parameter to imagedata + appears only to affect PDF output. HTML scaling is done in the + Makefile. +--> + +<bookinfo> +<title>DCP-o-matic</title> +<author><firstname>Carl</firstname><surname>Hetherington</surname></author> +</bookinfo> + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Introduction</title> + +<para> +Hello, and welcome to DCP-o-matic! +</para> + +<section> +<title>What is DCP-o-matic?</title> + +<para> +DCP-o-matic is a program to generate <ulink +url="http://en.wikipedia.org/wiki/Digital_Cinema_Package">Digital +Cinema Packages</ulink> (DCPs) from DVDs, Blu-Rays, video files such as MP4 +and AVI, or still images. The resulting DCPs will play on modern digital +cinema projectors. +</para> + +<para> +You might find it useful to make DVDs easier to present, to encode +independently-shot feature films, or to generate local advertising for +your cinema. +</para> + +</section> + +<section> +<title>Licence</title> + +<para> +DCP-o-matic is licensed under the <ulink url="http://www.gnu.org/licenses/old-licenses/gpl-2.0.html">GNU GPL</ulink>. +</para> + +</section> + +<section> +<title>Acknowledgements</title> + +<para> +This manual uses icons from the <ulink url="http://tango.freedesktop.org/">Tango Desktop Project</ulink>, with thanks. +</para> + +</section> +</chapter> + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Installation</title> + +<section> +<title>Windows</title> + +<para> +To install DCP-o-matic on Windows, simply download the installer from +<ulink url="http://dcpomatic.com/">http://dcpomatic.com/</ulink> +and double-click it. Click through the installer wizard, and +DCP-o-matic will be installed onto your machine. +</para> + +<para> +If you are using a 32-bit version of Windows, you will need the 32-bit +installer. For 64-bit Windows, either installer will work, but I +suggest you used the 64-bit version as it will allow DCP-o-matic to +use more memory. You may find that DCP-o-matic crashes if you run +many parallel encoding threads (more than 4) on the 32-bit +version. +</para> + +</section> + +<section> +<title>Mac OS X</title> + +<para> +DCP-o-matic will run on Mac OS X version 10.6 (Snow Leopard) and +higher. To install it, download the <code>DMG</code> from <ulink +url="http://dcpomatic.com/">http://dcpomatic.com/</ulink> and double +click to open it. Then drag the DCP-o-matic icon to your +<guilabel>Applications</guilabel> folder or wherever else you would +like to install it. +</para> + +</section> + +<section> +<title>Ubuntu Linux</title> + +<para> +You can install DCP-o-matic on Ubuntu 12.04 (‘Precise +Pangolin’), 12.10 (‘Quantal Quetzal’) or 13.04 +(‘Raring Ringtail’) using <code>.deb</code> packages: +download the appropriate package from <ulink +url="http://dcpomatic.com/">http://dcpomatic.com/</ulink> and +double-click it. Ubuntu will install the necessary bits and pieces +and set DCP-o-matic up for you. +</para> + +</section> + +<section> +<title>Other Linux distributions</title> + +<para> +Installation on non-Ubuntu Linux is currently a little involved, as +there are no packages available (yet); you will have to compile it +from source. If you are using a non-Ubuntu distribution, do let me +know via the <ulink url="mailto:carl@dcpomatic.com">mailing +list</ulink> and I will see about building some packages. +</para> + +<para> +The following dependencies are required: +<itemizedlist> +<listitem><ulink url="http://ffmpeg.org/">FFmpeg</ulink></listitem> +<listitem><ulink url="http://www.mega-nerd.com/libsndfile/">libsndfile</ulink></listitem> +<listitem><ulink url="http://www.openssl.org/">OpenSSL</ulink></listitem> +<listitem><ulink url="http://www.openjpeg.org/">libopenjpeg</ulink></listitem> +<listitem><ulink url="http://www.imagemagick.org/script/index.php">ImageMagick</ulink></listitem> +<listitem><ulink url="http://www.boost.org/">Boost</ulink></listitem> +<listitem><ulink url="http://www.libssh.org/">libssh</ulink></listitem> +<listitem><ulink url="http://www.gtk.org/">GTK</ulink></listitem> +<listitem><ulink url="http://www.wxwidgets.org/">wxWidgets</ulink></listitem> +<listitem><ulink url="http://carlh.net/software/libdcp/">libdcp</ulink></listitem> +</itemizedlist> +</para> + +<para> +Once you have installed the development packages for the dependencies, +download the source code from <ulink +url="http://dcpomatic.com/">http://dcpomatic.com/</ulink>, +unpack it and run the following commands from inside the source +directory: +</para> + +<programlisting> +./waf configure +./waf build +sudo ./waf install +</programlisting> + +<para> +With any luck, this will build and install DCP-o-matic on your system. To run it, enter: +</para> + +<programlisting> +dcpomatic +</programlisting> + +<para> +in a shell. +</para> + +</section> +</chapter> + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Creating a video DCP</title> + +<para> +In this chapter we will see how to create a video DCP using +DCP-o-matic. We will gloss over the details and look at the basics. +</para> + +<section> +<title>Creating a new film</title> + +<para> +Let's make a very simple DCP to see how DCP-o-matic works. First, we +need some content. Download the low-resolution trailer for the open +movie <ulink url="http://sintel.org/">Sintel</ulink> from <ulink +url="http://ftp.nluug.nl/ftp/graphics/blender/apricot/trailer/Sintel_Trailer1.480p.DivX_Plus_HD.mkv">their +website</ulink>. Generally, of course, one would want to use the +highest-resolution material available, but for this test we will use +the low-resolution version to save everyone's bandwidth bills. +</para> + +<para> +Now, start DCP-o-matic and its window will open. First, we will +create a new ‘film’. A ‘film’ is how DCP-o-matic refers to +some pieces of content, along with some settings, which we will make into +a DCP. DCP-o-matic stores its data in a folder on your disk while it +creates the DCP. You can create a new film by selecting +<guilabel>New</guilabel> from the <guilabel>File</guilabel> menu, as +shown in <xref linkend="fig-file-new"/>. +</para> + +<figure id="fig-file-new"> + <title>Creating a new film</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/file-new&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +This will open a dialogue box for the new film, as shown in <xref +linkend="fig-video-new-film"/>. +</para> + +<figure id="fig-video-new-film"> + <title>Dialogue box for creating a new film</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/video-new-film&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +In this dialogue box you can choose a name for the film. This will be +used to name the folder to store its data in, and also as the initial +name for the DCP itself. You can also choose whereabouts you want to create +the film. In the example from the figure, DCP-o-matic will create a +folder called ‘DCP Test’ inside my home folder (carl) into which it +will write its working files. +</para> + +</section> + +<section> +<title>Adding content</title> + +<para> +The next step is to add the content that you want to use. DCP-o-matic +can make DCPs from multiple pieces of content, but in this simple +example we will just use a single piece. Click the <guilabel>Add +file(s)...</guilabel> button, as shown in <xref +linkend="fig-add-file"/>, and a file chooser will open for you to +select the content file to use, as shown in <xref +linkend="fig-video-select-content-file"/>. +</para> + +<figure id="fig-add-file"> + <title>Adding content files</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/add-file&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<figure id="fig-video-select-content-file"> + <title>Selecting a video content file</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/video-select-content-file&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +Select your content file and click <guilabel>Open</guilabel>. In this +case we are using the Sintel trailer that we downloaded earlier. +</para> + +<para> +When you do this, DCP-o-matic will take a look at your file. After a +short while (when the progress bar at the bottom right of the window +has finished), you can look through your content using the slider to +the right of the window, as shown in <xref linkend="fig-examine-content"/>. +</para> + +<figure id="fig-examine-content"> + <title>Examining the content</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/examine-content&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +Dragging the slider will move through your video. You can also click +the <guilabel>Play</guilabel> button to play the content back. Note +that there will be no sound, and playback might not be entirely +accurate (it may be slightly slower or faster than it should be, for +example). This player is really only intended for brief inspection of +content; if you need to check it more thoroughly, use another player +such as <ulink +url="http://projects.gnome.org/totem/index.html">Totem</ulink>, <ulink +url="http://www.mplayerhq.hu/design7/news.html">mplayer</ulink> or +<ulink url="http://www.videolan.org/vlc/index.html">VLC</ulink>. +</para> + +</section> + + + +<section> +<title>Making the DCP</title> + +<para>In most cases, some adjustments would be made to DCP-o-matic's +settings once the content has been added. For our simple test, +however, the default values will suffice, so we can go straight onto +making the DCP.</para> + +<para> +Choose <guilabel>Make DCP</guilabel> from the +<guilabel>Jobs</guilabel> menu. DCP-o-matic will encode your DCP. +This may take some time (many hours in some cases). While the job is +in progress, DCP-o-matic will update you on how it is getting on with +the progress bar in the bottom of its window, as shown in <xref +linkend="fig-making-dcp"/>. +</para> + +<figure id="fig-making-dcp"> + <title>Making the DCP</title> + <mediaobject> + <imageobject> + <imagedata scale="30" fileref="screenshots/making-dcp&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +When it has finished, the DCP will end up on your disk inside the +film's folder. You can then copy this to a projector via a USB +stick, hard-drive or network connection. See <xref +linkend="ch-files"/> for details about the files that DCP-o-matic creates. +</para> + +<para> +Alternatively, if you have a projector or TMS that is accessible via +SCP across your network, you can upload the content directly from +DCP-o-matic. See the preferences in <xref linkend="sec-prefs-tms"/>. +</para> + +</section> +</chapter> + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Creating a still-image DCP</title> + +<para> +DCP-o-matic can also be used to create DCPs of one or more still images, perhaps +for an advertisement or an on-screen announcement. This chapter shows you +how to do it. +</para> + +<para> +As with video DCPs, the first step is to create a new +‘Film’; select <guilabel>New</guilabel> from the +<guilabel>File</guilabel> menu and the new film dialogue will open as +shown in <xref linkend="fig-still-new-film"/>. +</para> + +<figure id="fig-still-new-film"> + <title>Dialogue box for creating a new film</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/still-new-film&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +Enter a name and click <guilabel>OK</guilabel>. Now we need to add +the content. As before, click <guilabel>Add file(s)...</guilabel>. +For our example, we will add a single image file, as shown in <xref +linkend="fig-still-select-content-file"/>. +</para> + +<figure id="fig-still-select-content-file"> + <title>Selecting a still content file</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/still-select-content-file&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +As with video DCPs, most of the default settings will be fine for a +simple test. The one thing that you might wish to change is the +length of the still. Select the <guilabel>Timing</guilabel> tab and +you will see a <guilabel>Length</guilabel> setting, as shown in <xref +linkend="fig-timing-tab"/>. +</para> + +<figure id="fig-timing-tab"> + <title>The timing tab</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/timing-tab&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +This length is a ‘timecode’: it consists of four numbers. +The first is hours, the second minutes, the third seconds, and the +fourth frames. Enter the duration that you want and then click <guilabel>Set</guilabel>. +</para> + +<para> +Finally, as with video, you can choose <guilabel>Make DCP</guilabel> +from the <guilabel>Jobs</guilabel> menu to create your DCP. This will +be much quicker than creating a video DCP, as DCP-o-matic only needs +to encode a single frame which it can then repeat. +</para> + +</chapter> + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Content settings</title> + +<para> +The previous chapters showed DCP generation using the default +settings. DCP-o-matic offers a range of features to adjust the +content that goes into your DCP, and this chapter describes those features in +detail. +</para> + +<section> +<title>Adding and removing content</title> + +<para> +At the top of the <guilabel>Content</guilabel> tab is a list of the +content that will go into our DCP. There can be as many pieces of +content as you like, and they can be of the following types: +</para> + +<itemizedlist> +<listitem>Movie — a file containing some video, probably some +audio and possibly some subtitles; for example, a MOV, MP4 or VOB. +</listitem> + +<listitem>Sound — a file containing one or more channels of +audio; for example, a WAV or AIFF file. +</listitem> + +<listitem>Still image — a file containing a single still image; for +example, a JPEG, PNG or TIFF file. +</listitem> + +<listitem>Moving image — a directory containing many still +images which should be treated as the frames of a video. +</listitem> +</itemizedlist> + +<para> +To add one or more movie, sound or still-image files, select +<guilabel>Add file(s)...</guilabel> and choose them from the selector. +To add a directory of images, choose <guilabel>Add +directory...</guilabel> and do similar. +</para> + +<para> +You can remove a piece of content by clicking on its name and then +clicking the <guilabel>Remove</guilabel> button. +</para> + +</section> +<section> +<title>Content Properties</title> + +<para> +Below the content list are the controls to set content properties. To +adjust the properties for a piece of content, click its name in the +content list. The content property controls will then become active +for that piece of content. +</para> + +<para> +The content properties are split up into four sections: +<guilabel>Video</guilabel>, <guilabel>Audio</guilabel>, +<guilabel>Subtitles</guilabel> and <guilabel>Timing</guilabel>. Not +all of these sections will be active for all content types. The controls +in each section are described below. +</para> + +</section> + +<section> +<title>Video</title> + +<para> +The <guilabel>Video</guilabel> tab controls properties of the image, as shown in <xref linkend="fig-video-tab"/>. +</para> + +<figure id="fig-video-tab"> + <title>Video settings tab</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/video-tab&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<section> +<title>Image type</title> + +<para> +The first option on this tab is the ‘type’ of the video. +This specifies how DCP-o-matic should interpret the video's image. +<guilabel>2D</guilabel> is the default; this just takes the video +image as a standard 2D frame. The other option <guilabel>3D +left/right</guilabel> tells DCP-o-matic to interpret the frame as a +left-right pair, as shown in <xref linkend="fig-3d-left-right"/>. +</para> + +<figure id="fig-3d-left-right"> + <title>3D left/right image type</title> + <mediaobject> + <imageobject> + <imagedata scale="100" fileref="diagrams/3d-left-right&dia;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +This option can be used to generate a 3D DCP. Other means of creating +3D will be added in the future. +</para> + +</section> + + +<!-- ============================================================== --> +<section> +<title>Filtering</title> + +<para> +The ‘filters’ settings allow you to apply various video +filters to the image. These may be useful to try to improve +poor-quality sources like DVDs. You can set up the filters by clicking the +<guilabel>Edit</guilabel> button next to the filters entry in the +setup area of the DCP-o-matic window; this opens the filters selector +as shown in <xref linkend="fig-filters"/>. +</para> + +<figure id="fig-filters"> + <title>Filters selector</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/filters&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +After changing the filters setup, you will need to regenerate the DCP +to see the effect on the cinema screen. The preview in DCP-o-matic +will update itself whenever filters are changed, though of course this +image is much smaller and of lower resolution than a projected image! +</para> +</section> + + +<!-- ============================================================== --> +<section> +<title>Other settings</title> + +<para> +The ‘crop’ settings can be used to crop your content, +which can be used to remove black borders from round the edges of DVD +images, for example. The specified number of pixels will be trimmed +from each edge, and the content image in the right of the window will +be updated to show the effect of the crop. +</para> + +<para> +The <guilabel>Scale to</guilabel> option governs the shape that +DCP-o-matic will scale the content's image into. Select the aspect +ratio that your content should be presented in. +</para> + +</section> +<section> +<title>Video description</title> + +<para> +At the bottom of the video tab is a short description of what will +happen to your video with the current settings. In the example of +<xref linkend="fig-video-tab"/>, DCP-o-matic is telling you that the +video file is 1920x1080 pixels (which is a ratio of 1.78:1). Since +the controls specify ‘Flat’ for the ratio, DCP-o-matic +scales the content image to 1998x1080, which is the DCI flat +resolution at 2K. +</para> + +<para> +This description also gives the frame rate of the content and what +will happen to it when it is played at the DCP's frame rate. +<!-- XXX: link to more detailed discussion of this --> +</para> + +</section> + +</section> + +<section> +<title>Audio</title> + +<para> +The <guilabel>Audio</guilabel> tab controls properties of the image, as shown in <xref linkend="fig-audio-tab"/>. +</para> + +<figure id="fig-audio-tab"> + <title>Audio settings tab</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/audio-tab&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<section> +<title>Show audio</title> + +<para> +The <guilabel>Show Audio</guilabel> button will instruct DCP-o-matic +to examine the audio in your content and plot a graph of its level +over time. This can be useful for getting a rough idea of how loud +the sound will be in the cinema auditorium. A typical plot is shown +in <xref linkend="fig-audio-plot"/> +</para> + +<figure id="fig-audio-plot"> + <title>Audio plot</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/audio-plot&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +The plot gives the audio level (vertical axis, in dB) with time +(horizontal axis). 0dB represents full scale, so if there is anything +near this you are in danger of clipping the projector's audio outputs. +</para> + +<para> +There are two plot types: the peak level and the RMS, which can be +shown or hidden using the check-boxes on the right hand side of the +window. +</para> + +<para> +The channel check-boxes will show or hide the plot(s) for +the corresponding channels in the DCP. +</para> + +<para> +The smoothing slider applies a variable degree of temporal smoothing +to the plots, which can make them easier to read in some cases. +</para> + +<para> +Obviously the audio plot is no substitute for listening in an +auditorium, but it can be useful to get levels in the right rough area. +</para> + +</section> + +<section> +<title>The audio map</title> + +<para> +The section at the bottom of the audio tab is the ‘audio +map’. This governs how sound from the content will be arranged +in the DCP. +</para> + +<para> +Down the left-hand side of the map is the list of audio channels in +the currently-selected piece of content. Along the top is each +channel in the DCP. A checked box means that the corresponding +content channel will be copied into the corresponding DCP channel. +</para> + +<para> +Consider, for example, the case in <xref linkend="fig-audio-map-eg1"/>. +</para> + +<figure id="fig-audio-map-eg1"> + <title>Audio map example 1</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/audio-map-eg1&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +Here, we have two channels in the source which are mapped to left and +right, respectively, in the DCP. If we modify that as in <xref +linkend="fig-audio-map-eg2"/> +</para> + +<figure id="fig-audio-map-eg2"> + <title>Audio map example 2</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/audio-map-eg2&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +we now have the content's streams mapped to left and right and also +mixed together and placed in the DCP's centre channel. +</para> + +<figure id="fig-audio-map-eg3"> + <title>Audio map example 3</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/audio-map-eg3&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +As a final example, the map in <xref linkend="fig-audio-map-eg3"/> +shows the mapping of a 5.1 source into a 5.1 DCP. +</para> + +</section> + +<section> +<title>Other controls</title> + +<para> +‘Audio Gain’ is used to alter the volume of the +soundtrack. The specified gain (in dB) will be applied to each sound +channel of your content before it is written to the DCP. +</para> + +<para> +If you use a sound processor that DCP-o-matic knows about, it can help +you calculate changes in gain that you should apply. Say, for +example, that you make a test DCP and find that you have to run it at +volume 5 instead of volume 7 to get a good sound level in the screen. +If this is the case, click the <guilabel>Calculate...</guilabel> +button next to the audio gain entry, and the dialogue box in <xref +linkend="fig-calculate-audio-gain"/> will open. +</para> + +<figure id="fig-calculate-audio-gain"> + <title>Calculating audio gain</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/calculate-audio-gain&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +For our example, put 5 in the first box and 7 in the second and click +<guilabel>OK</guilabel>. DCP-o-matic will calculate the audio gain +that it should apply to make this happen. Then you can re-make the +DCP (this will be reasonably fast, as the video data will already have +been done) and it should play back at the correct volume with 7 on +your sound-rack fader. +</para> + +<para> +Current versions of DCP-o-matic only know about the Dolby CP750. If +you use a different sound processor, and know the gain curve of its +volume control, <ulink url="mailto:cth@carlh.net">get in +touch</ulink>. +</para> + +<para> +<guilabel>Audio Delay</guilabel> is used to adjust the synchronisation +between audio and video. A positive delay will move the audio later +with respect to the video, and a negative delay will move it earlier. +</para> + +<para> +The <guilabel>Audio Stream</guilabel> option allows you to select the +audio stream to use, if the content contains more than one. There +might be different soundtrack languages, for example. +</para> + +</section> +</section> + + +<section> +<title>Subtitles</title> + +<para> +The subtitles tab contains settings related to subtitles in your +content, as shown in <xref linkend="fig-subtitles-tab"/>. +</para> + +<figure id="fig-subtitles-tab"> + <title>Subtitle settings tab</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/subtitles-tab&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +DCP-o-matic will extract subtitles from the content, if present, and +they can be ‘burnt into’ the DCP (that is, they are +included in the image and not overlaid by the projector). Note that +DVD and Blu-Ray subtitles are stored as bitmaps, so it is not possible +(automatically) to use non-burnt-in subtitles with these sources. +Select the <guilabel>With Subtitles</guilabel> checkbox to enable +subtitles. The <guilabel>offset</guilabel> control moves the +subtitles up and down the image, and the <guilabel>scale</guilabel> +control changes their size. +</para> + +<para> +All being well, future versions of DCP-o-matic will include the option to +use text subtitles (as is the norm with most professionally-mastered +DCPs). +</para> + +</section> + +<!-- XXX: timing tab --> + +</chapter> + +<chapter xml:id="ch-dcp" xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>DCP settings</title> + +<para> +This chapter describes the settings that apply to the whole DCP. The +controls for these settings are in the <guilabel>DCP</guilabel> tab of +the main window, as shown in <xref linkend="fig-dcp-tab"/>. +</para> + +<figure id="fig-dcp-tab"> + <title>DCP settings tab</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/dcp-tab&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +The first thing here is the name. This is generally set to the title +of the film that is being encoded. If <guilabel>Use DCI +name</guilabel> is not ticked, the name that you specify will be used +as-is for the name of the DCP. If <guilabel>Use DCI name</guilabel> +is ticked, the name that you enter will be used as part of a +DCI-compliant name. +</para> + +<para> +Underneath the name field is a preview of the name that the DCP will +get. To use a DCI-compliant name, tick the <guilabel>Use DCI +name</guilabel> checkbox. The DCI name will be composed using details +of your content's soundtrack, the current date and other things that +can be specified in the DCI name details dialogue box, which you can +open by clicking on the <guilabel>Details</guilabel> button. +</para> + +<para> +If the DCP name is long, it may not all be visible. You can see the +full name by hovering the mouse pointer over the partial name. +</para> + +<para> +The <guilabel>Container</guilabel> option sets the ratio of the image +in the DCP. If this ratio is different to the ratio used for any +content, DCP-o-matic will pad the content with black. In simple cases +this should be set to the same ratio as that for the the primary piece +of video content. Alternatively, you might want to pillarbox a small +format into a Flat container: in this case, select the small format +for the content's ratio and ‘Flat’ for the DCP. +</para> + +<para> +Next up is the content type. This can be +‘feature’, ‘trailer’ or whatever; select the +required type from the drop-down list. +</para> + +<para> +The <guilabel>Frame Rate</guilabel> control sets the frame rate of +your DCP. This can be a little tricky to get right. Ideally, you +want it to be the same as the video content that you are using. If it +is not the same, DCP-o-matic must resort to some tricks to alter your +content to fit the specified frame rate. Frame rates are discussed in more detail later. +<!--- XXX: link --> +</para> + +<para> +The <guilabel>Use best</guilabel> button sets the DCP video frame rate +to what DCP-o-matic thinks is the best given the content that you have +added. +</para> + +<para> +The <guilabel>Audio Channels</guilabel> control sets the number of +audio channels that the DCP will have. If the DCP has any channels +for which there is no content audio they will be replaced by silence. +</para> + +<para> +The <guilabel>3D</guilabel> button will set your DCP to 3D mode if it +is checked. A 3D DCP will then be created, and any 2D content will be +made 3D compatible by repeating the same frame for both left and right +eyes. A 3D DCP can be played back on many 3D systems (e.g.\ Dolby 3D, +Real-D etc.) but not on a 2D system. +</para> + +<para> +The <guilabel>Resolution</guilabel> tab allows you to choose the +resolution for your DCP. Use 2K unless you have content that is of +high enough resolution to be worth presenting in 4K. +</para> + +<para> +The <guilabel>JPEG2000 bandwidth</guilabel>; setting changes how big the final +image files used within the DCP will be. Larger numbers will give +better quality, but correspondingly larger DCPs. The bandwidth can be +between 50 and 250 megabits per second (MBps). +</para> + +<para> +Finally, the <guilabel>scaler</guilabel> is the method that will be used to scale up +your content to the required size for the DCP, if required. Bicubic is a fine choice in +most situations. +</para> + +</chapter> + + +<chapter xml:id="ch-preferences" xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Preferences</title> + +<para> +DCP-o-matic provides a few preferences which can be used to modify its +behaviour. This chapter explains those options. +</para> + +<section> +<title>The preferences dialogue</title> + +<para> +The preferences dialogue is opened by choosing +<guilabel>Preferences...</guilabel> from the <guilabel>Edit</guilabel> +menu. The dialogue is split into four tabs. +</para> + +<section> +<title>Miscellaneous</title> + +<para> +The miscellaneous tab is shown in <xref linkend="fig-prefs-misc"/>. +</para> + +<figure id="fig-prefs-misc"> + <title>Miscellaneous preferences</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/prefs-misc&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<section> +<title>Language</title> + +<para> +If you tick the <guilabel>Set Language</guilabel> checkbox and choose +a language from the list, that language will be used for DCP-o-matic. +You will need to restart DCP-o-matic to see the new language. +</para> + +<para> +The translations for DCP-o-matic have been contributed by helpful +users. If your language is not on the last, head to <ulink +url="http://dcpomatic.com/i18n.php">the DCP-o-matic website</ulink> to +read about how to contribute a translation. +</para> +</section> + +<section> +<title>Threads</title> + +<para> +When DCP-o-matic is encoding DCPs it can use multiple parallel threads +to speed things up. Set this value to the number of threads +DCP-o-matic should use. This would typically be set to the number of +processors (or processor cores) in your machine. +</para> + +</section> + +<section> +<title>Defaults</title> + +<para> +The next few options allow you to set up default values for several +properties of new films that you create. +</para> + +</section> +</section> + +<section> +<title>Encoding servers</title> + +<para> +The encoding servers tab is shown in <xref linkend="fig-prefs-servers"/>. +</para> + +<figure id="fig-prefs-servers"> + <title>Encoding servers preferences</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/prefs-servers&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +If you have spare machines sitting around on your network not doing +much, they can be pressed into service to speed up DCP encodes. This +is done by running a small server program on the machine, which will +encode video sent to it by the ‘master’ DCP-o-matic. This +option is described in more detail in <xref linkend="sec-servers"/>. +Use these preferences to specify the encoding servers that should be +used. +</para> + +</section> + +<section> +<title>Metadata</title> + +<para> +The metadata tab is shown in <xref linkend="fig-prefs-metadata"/>. +</para> + +<figure id="fig-prefs-metadata"> + <title>Metadata preferences</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/prefs-metadata&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +This allows you to set up a couple of identifiers that are written +into the DCP. The default values should cause no problems. +</para> + +</section> + +<section xml:id="prefs-tms"> +<title>TMS</title> + +<para> +The TMS tab (shown in <xref linkend="fig-prefs-tms"/>) gives some +options for specifying details about your theatre management system +(TMS). If you do this, and your TMS accepts SSH connections, you can +upload DCPs directly from DCP-o-matic to the TMS using the +<guilabel>Send DCP to TMS</guilabel> option in the +<guilabel>Jobs</guilabel> menu. +</para> + +<figure id="fig-prefs-tms"> + <title>TMS preferences</title> + <mediaobject> + <imageobject> + <imagedata fileref="screenshots/prefs-tms&scs;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +<guilabel>TMS IP address</guilabel> should be set to the IP address of +your TMS, <guilabel>TMS target path</guilabel> to the place that DCPs +should be uploaded to (which will be relative to the home directory of +the SSH user). Finally, the user name and password are the +credentials required to log into the TMS via SSH. +</para> +</section> + + +</section> +</chapter> + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Frame rates</title> + +<para> +In an ideal world, a DCP would be created using content at the same +video frame and audio sampling rates as the DCP. This is not, +however, always possible. +</para> + +<section> +<title>DCP rate limitations</title> + +<para> +There are some limitations to video and audio rates in DCPs. This is +complicated by the fact that not all projectors will play DCPs at the +same rates. It is possible to create a DCP which one projector will +play fine, but another (of a different type) will refuse to play, or +even refuse to ingest. +</para> + +<section> +<title>Guaranteed rates</title> + +<para> +The only rates that are (pretty much) guaranteed to work on all DCI +projectors is 24 frames per second (fps) for video and 48kHz or 96kHz +for audio. If you are sending your DCPs to unknown places it wise to +consider using these rates if at all possible. +</para> + +</section> + +<section> +<title>Other often-supported rates</title> +<para> +Many projectors now in the wild support additional video frame rates: +25, 30 and 48 fps. +</para> +</section> + +<section> +<title>Adapting content to fit the DCP rate</title> + +<para> +DCP-o-matic has a few tricks to allow you to use content that is not +in one of the ‘approved’ rates. +</para> + +<para> +Audio is easy: DCP-o-matic can resample to 48kHz from any source rate +with minimal loss in quality. +</para> + +<para> +Video rate conversion is harder. DCP-o-matic's basic strategy to deal +with a non-supported content rate is to run it at the wrong speed, and +to adjust the audio to keep it in sync. +</para> + +<para>Let us consider the example of a 25fps source for which you want +to create a 24fps DCP. DCP-o-matic will put the frames from the +source directly into the DCP without modification, but will tell the +projector to play them back at 24fps. This means that the DCP's video +will run slightly slower than the original. +</para> + +<para> +If DCP-o-matic did nothing else, the result of this would be that the +audio would be running at the original speed with the video running +slowly. Hence the audio would drift slowly out of sync. To avoid +this, DCP-o-matic also resamples the audio such that the projector +will play it too fast by the same amount. Hence it will sound +slightly different but will remain in sync with the video. +</para> + +<para> +For very low or high frame rates, DCP-o-matic can also skip or duplicate frames. +</para> + +</section> +</section> + +<section> +<title>Setting up</title> + +<para> +The <guilabel>Frame Rate</guilabel> control in the +<guilabel>DCP</guilabel> tab sets the video frame rate that the DCP +will use. Clicking <guilabel>Use best</guilabel> sets the rate to +what DVD-o-matic thinks is the best for your content. With this +button, DCP-o-matic assumes that the whole range of frame rates (24, +25, 30 and 48fps) are allowable. +</para> + +<para> +After this, the <guilabel>Video</guilabel> tab for each piece of +content will give a summary of what DCP-o-matic is doing with that +content. +</para> + +</section> + +</chapter> + + +<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Encoding servers</title> + +<para> +One way to increase the speed of DCP encoding is to use more +than one machine at the same time. An instance of DCP-o-matic can +offload some of the time-consuming JPEG2000 encoding to any number of +other machines on a network. To do this, one ‘master’ +machine runs DCP-o-matic, and the ‘server’ machines run +a small program called ‘dcpomatic_server’. +</para> + +<section> +<title>Running the servers</title> + +<para> +There are two options for the encoding server; +<code>dcpomatic_server_cli</code>, which runs on the command line, and +<code>dcpomatic_server</code>, which has a simple GUI. The command line +version is well-suited to headless servers, especially on Linux, and +the GUI version works best on Windows where it will put an icon in the +system tray. +</para> + +<para> +To run the command line version, simply enter: +</para> + +<programlisting> +dcpomatic_server_cli +</programlisting> + +<para> +at a command prompt. If you are running the program on a machine with +a multi-core processor, you can run multiple parallel encoding threads +by doing something like: +</para> + +<programlisting> +dcpomatic_server_cli -t 4 +</programlisting> + +<para> +to run 4 threads in parallel. +</para> + +<para> +To run the GUI version on windows, run the ‘DCP-o-matic encode +server’ from the start menu. An icon will appear in the system +tray; right-click it to open a menu from whence you can quit the +server or open a window to show its status. +</para> + +</section> +<section> +<title>Setting up DCP-o-matic</title> + +<para> +Once your servers are running, you need to tell your master +DCP-o-matic instance about them. Start DCP-o-matic and open the +<guilabel>Preferences</guilabel> dialog from the +<guilabel>Edit</guilabel> menu. At the bottom of this dialog is a +section where you can add, edit and remove encoding servers. For each +encoding server you need only specify its IP address and the number of +threads that it is running, so that DCP-o-matic knows how many +parallel encode jobs to send to the server. +</para> + +<para> +Once this is done, any encodes that you start will split the workload +up between the master machine and the servers. +</para> + +</section> +<section> +<title>Some notes about encode servers</title> + +<para> +DCP-o-matic does not mind if servers come and go; if a server +disappears, DCP-o-matic will stop sending work to it, and will check +it every minute or so in case it has come back online. +</para> + +<para> +You will probably find that using a 1Gb/s or faster network will +provide a significant speed-up compared to a 100Mb/s network. +</para> + +<para> +Making changes to the server configuration in the master DCP-o-matic +will have no effect while an encode is running; the changes will only +be noticed when a new encode is started. +</para> + +</section> + +</chapter> + +<chapter xml:id="ch-files" xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> +<title>Generated files</title> + +<para> +DCP-o-matic generates a number of files as it makes a DCP. <xref +linkend="fig-file-structure"/> shows the files that might be generated +after you have created a DCP for a film called ‘DCP Test’. +</para> + +<figure id="fig-file-structure"> + <title>Creating a new film</title> + <mediaobject> + <imageobject> + <imagedata fileref="diagrams/file-structure&dia;"/> + </imageobject> + </mediaobject> +</figure> + +<para> +The <code>DCP Test</code> folder is the one that you specify when you +select the <guilabel>New Film</guilabel> option from DCP-o-matic's +menu. Everything is stored inside this folder. +</para> + +<para> +DCP-o-matic generates some working files as it goes along. These are as follows: +<itemizedlist> + +<listitem><code>log</code> is a list of notes that DCP-o-matic makes as it goes +along. This can be useful for debugging purposes if something goes +wrong.</listitem> + +<listitem><code>metadata</code> stores the settings that you have made +for this film: things like cropping, output format and so on.</listitem> + +<listitem><code>video</code> is where DCP-o-matic writes the DCP's +video data as it encodes it.</listitem> + +<listitem><code>analysis</code> is used to keep the results of audio analysis runs.</listitem> + +<listitem><code>info</code> contains details of each video frame that +DCP-o-matic has written so far. This is used when an encoding +operation is interrupted and DCP-o-matic must resume it.</listitem> +</itemizedlist> +</para> + +<para> +Following this is the DCP itself: +<code>DCP-TEST_EN-XX_UK-U_51_2K_CSY_20130218_CSY_OV</code>. This +contains some small XML files, which describe the DCP, and two large +MXF files, which contain the DCP's audio and video data. This folder +(<code>DCP-TEST_EN-XX_...</code>) is what you should ingest, or pass +to the cinema which is showing your DCP. +</para> + +</chapter> + + +</book> diff --git a/doc/manual/diagrams/3d-left-right.svg b/doc/manual/diagrams/3d-left-right.svg new file mode 100644 index 000000000..02df7092f --- /dev/null +++ b/doc/manual/diagrams/3d-left-right.svg @@ -0,0 +1,219 @@ +<?xml version="1.0" encoding="UTF-8" standalone="no"?> +<!-- Created with Inkscape (http://www.inkscape.org/) --> + +<svg + xmlns:dc="http://purl.org/dc/elements/1.1/" + xmlns:cc="http://creativecommons.org/ns#" + xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" + xmlns:svg="http://www.w3.org/2000/svg" + xmlns="http://www.w3.org/2000/svg" + xmlns:sodipodi="http://sodipodi.sourceforge.net/DTD/sodipodi-0.dtd" + xmlns:inkscape="http://www.inkscape.org/namespaces/inkscape" + width="744.09448819" + height="1052.3622047" + id="svg4899" + version="1.1" + inkscape:version="0.48.4 r9939" + sodipodi:docname="New 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id="tspan9388">working</tspan><tspan + sodipodi:role="line" + x="205.96103" + y="271.07669" + id="tspan9390">files</tspan></text> + <path + style="color:#000000;fill:none;stroke:#8f5902;stroke-width:1.25;stroke-linecap:round;stroke-linejoin:miter;stroke-miterlimit:4;stroke-opacity:1;stroke-dasharray:none;stroke-dashoffset:0;marker:none;visibility:visible;display:inline;overflow:visible;enable-background:accumulate" + d="m 444.5744,360.802 12.5586,0 0,272.94023 -13.39584,0" + id="path9382-3" + inkscape:connector-curvature="0" /> + <text + xml:space="preserve" + style="font-size:12px;font-style:normal;font-variant:normal;font-weight:normal;font-stretch:normal;text-align:start;line-height:125%;letter-spacing:0px;word-spacing:0px;writing-mode:lr-tb;text-anchor:start;fill:#000000;fill-opacity:1;stroke:none;font-family:Inconsolata;-inkscape-font-specification:Inconsolata" + x="468.01709" + y="500.62109" + id="text9410" + sodipodi:linespacing="125%"><tspan + sodipodi:role="line" + id="tspan9412" + x="468.01709" + y="500.62109">DCP</tspan></text> + </g> +</svg> diff --git a/doc/manual/dvdomatic.xml b/doc/manual/dvdomatic.xml deleted file mode 100644 index 753358c22..000000000 --- a/doc/manual/dvdomatic.xml +++ /dev/null @@ -1,939 +0,0 @@ -<?xml version="1.0" encoding="utf-8"?> -<!DOCTYPE book [ -<!ENTITY % sgml.features "IGNORE"> -<!ENTITY % xml.features "INCLUDE"> -<!ENTITY % dbcent PUBLIC "-//OASIS//ENTITIES DocBook Character Entities V4.5//EN" - "/usr/share/xml/docbook/schema/dtd/4.5/dbcentx.mod"> -%dbcent; -<!ENTITY % extensions SYSTEM "extensions.ent"> -%extensions; -]> -<book xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> - -<bookinfo> -<title>DVD-o-matic</title> -<author><firstname>Carl</firstname><surname>Hetherington</surname></author> -</bookinfo> - -<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> -<title>Introduction</title> - -<para> -Hello, and welcome to DVD-o-matic! -</para> - -<section> -<title>What is DVD-o-matic?</title> - -<para> -DVD-o-matic is a program to generate <ulink -url="http://en.wikipedia.org/wiki/Digital_Cinema_Package">Digital -Cinema Packages</ulink> (DCPs) from DVDs, Blu-Rays, video files such as MP4 -and AVI, or still images. The resulting DCPs will play on modern digital -cinema projectors. -</para> - -<para> -You might find it useful to make DVDs easier to present, to encode -independently-shot feature films, or to generate local advertising for -your cinema. -</para> - -</section> - -<section> -<title>Licence</title> - -<para> -DVD-o-matic is licensed under the <ulink url="http://www.gnu.org/licenses/old-licenses/gpl-2.0.html">GNU GPL</ulink>. -</para> - -</section> - -</chapter> - -<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> -<title>Installation</title> - -<section> -<title>Windows</title> - -<para> -To install DVD-o-matic on Windows, simply download the installer from -<ulink url="http://carlh.net/software/dvdomatic">http://carlh.net</ulink> -and double-click it. Click through the installer wizard, and -DVD-o-matic will be installed onto your machine. -</para> - -<para> -If you are using a 32-bit version of Windows, you will need the 32-bit -installer. For 64-bit Windows, either installer will work, but I -suggest you used the 64-bit version as it will allow DVD-o-matic to -use more memory. You may find that DVD-o-matic crashes if you run -many parallel encoding threads (more than 4) on the 32-bit -version. -</para> - -</section> - -<section> -<title>Ubuntu Linux</title> - -<para> -You can install DVD-o-matic on Ubuntu 12.04 (‘Precise -Pangolin’) or 12.10 (‘Quantal Quetzal’) using -<code>.deb</code> packages: download the appropriate package from -<ulink -url="http://carlh.net/software/dvdomatic">http://carlh.net</ulink> and -double-click it. Ubuntu will install the necessary bits and pieces -and set DVD-o-matic up for you. -</para> - -</section> - -<section> -<title>Other Linux distributions</title> - -<para> -Installation on non-Ubuntu Linux is currently a little involved, as -there are no packages available (yet); you will have to compile it -from source. If you are using a non-Ubuntu distribution, do let me -know via the <ulink url="mailto:dvdomatic@carlh.net">mailing -list</ulink> and I will see about building some packages. -</para> - -<para> -The following dependencies are required: -<itemizedlist> -<listitem><ulink url="http://ffmpeg.org/">FFmpeg</ulink></listitem> -<listitem><ulink url="http://www.mega-nerd.com/libsndfile/">libsndfile</ulink></listitem> -<listitem><ulink url="http://www.openssl.org/">OpenSSL</ulink></listitem> -<listitem><ulink url="http://www.openjpeg.org/">libopenjpeg</ulink></listitem> -<listitem><ulink url="http://www.imagemagick.org/script/index.php">ImageMagick</ulink></listitem> -<listitem><ulink url="http://www.boost.org/">Boost</ulink></listitem> -<listitem><ulink url="http://www.libssh.org/">libssh</ulink></listitem> -<listitem><ulink url="http://www.gtk.org/">GTK</ulink></listitem> -<listitem><ulink url="http://www.wxwidgets.org/">wxWidgets</ulink></listitem> -<listitem><ulink url="http://carlh.net/software/libdcp/">libdcp</ulink></listitem> -</itemizedlist> -</para> - -<para> -Once you have installed the development packages for the dependencies, -download the source code from <ulink -url="http://carlh.net/software/dvdomatic">http://carlh.net</ulink>, -unpack it and run the following commands from inside the source -directory: -</para> - -<programlisting> -./waf configure -./waf build -sudo ./waf install -</programlisting> - -<para> -With any luck, this will build and install DVD-o-matic on your system. To run it, enter: -</para> - -<programlisting> -dvdomatic -</programlisting> - -<para> -in a shell. -</para> - -</section> -</chapter> - -<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> -<title>Creating a video DCP</title> - -<para> -In this chapter we will see how to create a video DCP using -DVD-o-matic. We will gloss over some of the finer details, which are -explained in later chapters. -</para> - -<section> -<title>Creating a new film</title> - -<para> -Let's make a very simple DCP to see how DVD-o-matic works. First, we -need some content. Download the low-resolution trailer for the open -movie <ulink url="http://sintel.org/">Sintel</ulink> from <ulink -url="http://ftp.nluug.nl/ftp/graphics/blender/apricot/trailer/Sintel_Trailer1.480p.DivX_Plus_HD.mkv">their -website</ulink>. Generally, of course, one would want to use the -highest-resolution material available, but for this test we will use -the low-resolution version to save everyone's bandwidth bills. -</para> - -<para> -Now, start DVD-o-matic and its window will open. First, we will -create a new ‘film’. A ‘film’ is how DVD-o-matic refers to -a piece of content, along with some settings, which we will make into -a DCP. DVD-o-matic stores its data in a folder on your disk while it -creates the DCP. You can create a new film by selecting -<guilabel>New</guilabel> from the <guilabel>File</guilabel> menu, as -shown in <xref linkend="fig-file-new"/>. -</para> - -<figure id="fig-file-new"> - <title>Creating a new film</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/file-new&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -This will open a dialogue box for the new film, as shown in <xref -linkend="fig-video-new-film"/>. -</para> - -<figure id="fig-video-new-film"> - <title>Dialogue box for creating a new film</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/video-new-film&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -In this dialogue box you can choose a name for the film. This will be -used to name the folder to store its data in, and also as the initial -name for the DCP itself. You can also choose whereabouts you want to create -the film. In the example from the figure, DVD-o-matic will create a -folder called ‘DCP Test’ inside my home folder (carl) into which it -will write its working files. -</para> - -<para> -If you always create your DCPs in a particular folder, you can use -DVD-o-matic's <guilabel>Preferences</guilabel> to make life a little -easier by setting the default folder that DVD-o-matic will offer in this dialogue. -See <xref linkend="ch-preferences"/>. -</para> - -</section> - -<section> -<title>Selecting content</title> - -<para> -The next step is to set the content that you want to use. Click the -content selector, as shown in <xref -linkend="fig-click-content-selector"/>, and a file chooser will -open for you to select the content file to use, as shown in <xref -linkend="fig-video-select-content-file"/>. -</para> - -<figure id="fig-click-content-selector"> - <title>Opening the content selector</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/click-content-selector&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<figure id="fig-video-select-content-file"> - <title>Selecting a video content file</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/video-select-content-file&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -Select your content file and click <guilabel>Open</guilabel>. In this -case we are using the Sintel trailer that we downloaded earlier. -</para> - -<para> -When you do this, DVD-o-matic will take a look at your file. After a -short while (when the progress bar at the bottom right of the window -has finished), you can look through your content using the slider to -the right of the window, as shown in <xref linkend="fig-examine-thumbs"/>. -</para> - -<figure id="fig-examine-thumbs"> - <title>Examining the content</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/examine-thumbs&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -Dragging the slider will move through your video. You can also click -the <guilabel>Play</guilabel> button to play the content back. Note -that there will be no sound, and playback might not be entirely -accurate (it may be slightly slower or faster than it should be, for -example). This player is really only intended for brief inspection of -content; if you need to check it more thoroughly, use another player -such as Totem, mplayer or VLC. -</para> - -</section> - -<section> -<title>Setting up</title> - -<para> -Now there are a few things to set up to describe how the DCP should be -created. The settings are divided into four tabs: film, video, audio and subtitles. -</para> - -<section> -<title>Film tab</title> - -<para> -The ‘film’ tab contains settings that pertain to the whole film, as shown in <xref linkend="fig-film-tab"/>. -</para> - -<figure id="fig-film-tab"> - <title>Film settings tab</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/film-tab&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -The first thing here is the name. This is generally set to the title -of the film that is being encoded. If <guilabel>Use DCI -name</guilabel> is not ticked, the name that you specify will be used -as-is for the name of the DCP. If <guilabel>Use DCI name</guilabel> -is ticked, the name that you enter will be used as part of a -DCI-compliant name. -</para> - -<para> -Underneath the name field is a preview of the name that the DCP will -get. To use a DCI-compliant name, tick the <guilabel>Use DCI -name</guilabel> checkbox. The DCI name will be composed using details -of your content's soundtrack, the current date and other things that -can be specified in the DCI name details dialogue box, which you can -open by clicking on the <guilabel>Details</guilabel> button. -</para> - -<para> -The <guilabel>Trust content's header</guilabel> button starts off -checked, and this means that DVD-o-matic will use the content's header -information to determine its length. If, for some reason, this header -length is wrong, uncheck the <guilabel>Trust content's -header</guilabel> button and DVD-o-matic will run through the content -to find its exact length. This may take a while for large pieces of content. -</para> - -<para> -Next up is the content type. This can be -‘feature’, ‘trailer’ or whatever; select the -required type from the drop-down list. -</para> - -<para> -The <guilabel>trim frames</guilabel> settings allow you to trim frames -from the beginning and end of the content; any trimmed frames will not -be included in the DCP. -</para> - -</section> - -<section> -<title>Video tab</title> - -<para> -This tab contains settings related to the picture in your DCP, as shown in <xref linkend="fig-video-tab"/>. -</para> - -<figure id="fig-video-tab"> - <title>Video settings tab</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/video-tab&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -The first option on this tab is the format. This will govern the -shape that DVD-o-matic will make your image into. Select the aspect -ratio that your content should be presented in. The ‘4:3 within -Flat’ and ‘16:9 within Flat’ settings will put the -image at the specified ratio within a Flat (1.85:1) frame, so that you -can project the DCP using your projector's Flat preset. -</para> - -<para> -The remaining options can often be left alone, but may sometimes be -useful. The ‘crop’ settings can be used to crop your -content, which can be used to remove black borders from round the -edges of DVD images, for example. The <guilabel>L</guilabel>, -<guilabel>R</guilabel>, <guilabel>T</guilabel> and -<guilabel>B</guilabel> settings correspond to the left, right, top and -bottom of the image respectively. The specified number of pixels will -be trimmed from each edge, and the content image in the right of the -window will be updated to show the cropping in action. -</para> - -<para> -The ‘filters’ settings allow you to apply various video -filters to the image. These may be useful to try to improve -poor-quality sources like DVDs. We will discuss filtering later in the manual. -<!-- XXX: link --> -</para> - -<para> -The ‘scaler’ is the method that will be used to scale up -your content to the required size for the DCP, if required. We will -discuss the options in more detail later; Bicubic is a fine choice in -most situations. -<!-- XXX: link --> -</para> - -</section> - -<section> -<title>Audio tab</title> - -<para> -This tab contains settings related to the sound in your DCP, as shown in <xref linkend="fig-audio-tab"/>. -</para> - -<figure id="fig-audio-tab"> - <title>Audio settings tab</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/audio-tab&scs;"/> - </imageobject> - </mediaobject> -</figure> - - -<para> -‘Audio Gain’ is used to alter the volume of the -soundtrack. The specified gain (in dB) will be applied to each sound -channel before it is written to the DCP. -</para> - -<para> -If you use a sound processor that DVD-o-matic knows about, it can help -you calculate changes in gain that you should apply. Say, for -example, that you make a test DCP and find that you have to run it at -volume 5 instead of volume 7 to get a good sound level in the screen. -If this is the case, click the <guilabel>Calculate...</guilabel> -button next to the audio gain entry, and the dialogue box in <xref -linkend="fig-calculate-audio-gain"/> will open. -</para> - -<figure id="fig-calculate-audio-gain"> - <title>Calculating audio gain</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/calculate-audio-gain&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -For our example, put 5 in the first box and 7 in the second and click -<guilabel>OK</guilabel>. DVD-o-matic will calculate the audio gain -that it should apply to make this happen. Then you can re-make the -DCP (this will be reasonably fast, as the video data will already have -been done) and it should play back at the correct volume with 7 on -your sound-rack fader. -</para> - -<para> -Current versions of DVD-o-matic only know about the Dolby CP750. If -you use a different sound processor, and know the gain curve of its -volume control, <ulink url="mailto:cth@carlh.net">get in -touch</ulink>. -</para> - -<para> -‘Audio Delay’ is used to adjust the synchronisation -between audio and video. A positive delay will move the audio later -with respect to the video, and a negative delay will move it earlier. -</para> - -<para> -By default the <guilabel>Use content‘s audio</guilabel> button -will be selected. This means that the DCP will use one of the -soundtracks from your content file; you can select the soundtrack that -you wish to use from the drop-down box. -</para> - -<para> -Note that if your content's audio is mono, DVD-o-matic will place it -in the centre channel in the DCP. -</para> - -<para> -Alternatively, you can supply different sound files by clicking the -<guilabel>Use external audio</guilabel> button and choosing a WAV file -for any channels that you want to appear in the DCP. These files can -be any bit depth and sampling rate, and will be re-sampled and -bit-depth converted if required. -</para> - -</section> -<section> -<title>Subtitles tab</title> - -<para> -This tab contains settings related to subtitles in your DCP, as shown in <xref linkend="fig-subtitles-tab"/>. -</para> - -<figure id="fig-subtitles-tab"> - <title>Subtitle settings tab</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/subtitles-tab&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -DVD-o-matic will extract subtitles from the content, if present, and -they can be ‘burnt into’ the DCP (that is, they are -included in the image and not overlaid by the projector). Note that -DVD and Blu-Ray subtitles are stored as bitmaps, so it is not possible -(automatically) to use non-burnt-in subtitles with these sources. -Select the <guilabel>With Subtitles</guilabel> checkbox to enable -subtitles. The <guilabel>offset</guilabel> control moves the -subtitles up and down the image, and the <guilabel>scale</guilabel> -control changes their size. -</para> - -<para> -Future versions of DVD-o-matic will hopefully include the option to -use text subtitles (as is the norm with most professionally-mastered -DCPs). -</para> - -</section> -</section> - -<section> -<title>Making the DCP</title> - -<para> -Now that we have set everything up, choose <guilabel>Make -DCP</guilabel> from the <guilabel>Jobs</guilabel> menu. DVD-o-matic -will encode your DCP. This may take some time (many hours in some -cases). While the job is in progress, DVD-o-matic will update you on -how it is getting on with the progress bar in the bottom right hand -corner of its window, as shown in <xref linkend="fig-making-dcp"/>. -</para> - -<figure id="fig-making-dcp"> - <title>Making the DCP</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/making-dcp&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -When it has finished, the DCP will end up on your disk inside the -film's directory. You can then copy this to a projector via a USB -stick, hard-drive or network connection. -</para> - -<para> -Alternatively, if you have a projector or TMS that is accessible via -SCP across your network, you can upload the content directly from -DVD-o-matic. See <xref linkend="sec-tms-upload"/>. -</para> - -</section> -</chapter> - - -<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> -<title>Creating a still-image DCP</title> - -<para> -DVD-o-matic can also be used to create DCPs of a still image, perhaps -for an advertisement or an on-screen announcement. This chapter shows you -how to do it. -</para> - -<para> -As with video DCPs, the first step is to create a new -‘Film’; select <guilabel>New</guilabel> from the -<guilabel>File</guilabel> menu and the new film dialogue will open as -shown in <xref linkend="fig-still-new-film"/>. -</para> - -<figure id="fig-still-new-film"> - <title>Dialogue box for creating a new film</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/still-new-film&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -Enter a name and click <guilabel>OK</guilabel>. Then we set up the -content; click the content selector as before, and this time we will -choose an image file, as shown in <xref -linkend="fig-still-select-content-file"/>. -</para> - -<figure id="fig-still-select-content-file"> - <title>Selecting a still content file</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/still-select-content-file&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -Setting up for a still image DCP is somewhat simpler than for a video; -the tabs are all the same, but many options are removed and a few are added. -</para> - -<para> -As with video, you can select a content type and the format (ratio) -that your image should be presented in. It will be scaled and padded -to fit the selected ratio, but in such a way that the pixel aspect -ratio is preserved. In other words, the image will not be stretched, -merely scaled; if you want to stretch your image, you will need to do -so in a separate program before importing it into DVD-o-matic. You -can also crop your image, if you so choose, and then set a duration -(in seconds) that the image should appear on screen. -</para> - -<para> -Still-image DCPs can include sound; this can be added from the -<guilabel>Audio</guilabel> tab. If your specified duration is shorter -than the audio, the audio will be cut off at the duration; if it is -longer, silence will be added after your audio. -</para> - -<para> -Finally, as with video, you can choose <guilabel>Make DCP</guilabel> -from the <guilabel>Jobs</guilabel> menu to create your DCP. This will -be much quicker than creating a video DCP, as DVD-o-matic only needs -to encode a single frame which it can then repeat. -</para> - -</chapter> - - -<chapter xml:id="ch-preferences" xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> -<title>Preferences</title> - -<para> -DVD-o-matic provides a few preferences which can be used to modify its -behaviour. This chapter explains those options. -</para> - -<section> -<title>The preferences dialogue</title> - -<para> -The preferences dialogue is opened by choosing -<guilabel>Preferences...</guilabel> from the <guilabel>Edit</guilabel> -menu. The dialogue is shown in <xref linkend="fig-prefs"/>. -</para> - -<figure id="fig-prefs"> - <title>Preferences</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/prefs&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<section> -<title>TMS setup</title> - -<para> -The first part of the dialogue gives some options for specifying -details about your TMS. If you do this, and your TMS accepts SSH -connections, you can upload DCPs directly from DVD-o-matic to the TMS. -This is discussed in <xref linkend="sec-tms-upload"/>. -</para> - -<para> -<guilabel>TMS IP address</guilabel> should be set to the IP address of -your TMS, <guilabel>TMS target path</guilabel> to the place that DCPs -should be uploaded to (which will be relative to the home directory of -the SSH user). Finally, the user name and password are the -credentials required to log into the TMS via SSH. -</para> -</section> - -<section> -<title>Threads</title> - -<para> -When DVD-o-matic is encoding DCPs it can use multiple parallel threads -to speed things up. Set this value to the number of threads -DVD-o-matic should use. This would typically be set to the number of -processors (or processor cores) in your machine. -</para> - -</section> - -<section> -<title>Default directory for new films</title> - -<para> -This is the directory which DVD-o-matic will suggest initially as a place to put new films. -</para> - -</section> - -<section> -<title>Colour look-up table</title> - -<para> -This specifies the colour space that your input content will be -expected to be in. If in doubt, leave it set to ‘sRGB’. -</para> - -</section> - -<section> -<title>A/B options</title> - -<para> -These options are for DVD-o-matic's special mode of making A/B -comparison DCPs for checking the performance of video filters. Their -use is described in <xref linkend="sec-ab"/>. -</para> - -</section> - -<section> -<title>Encoding servers</title> - -<para> -If you have spare machines sitting around on your network not doing -much, they can be pressed into service to speed up DCP encodes. This -is done by running a small server program on the machine, which will -encode video sent to it by the ‘master’ DVD-o-matic. This -option is described in more detail in <xref linkend="sec-servers"/>. -Use these preferences to specify the encoding servers that should be -used. -</para> - -</section> - -</section> -</chapter> - -<chapter xmlns="http://docbook.org/ns/docbook" version="5.0" xml:lang="en"> -<title>Advanced topics</title> - -<para>This chapter describes some parts of DVD-o-matic that are -probably not essential, but which you might find useful in some -circumstances. -</para> - -<section> -<title>Filtering</title> - -<para> -DVD-o-matic offers a variety of filters that can be applied to your -video content. You can set up the filters by clicking the -<guilabel>Edit</guilabel> button next to the filters entry in the -setup area of the DVD-o-matic window; this opens the filters selector -as shown in <xref linkend="fig-filters"/>. -</para> - -<figure id="fig-filters"> - <title>Filters selector</title> - <mediaobject> - <imageobject> - <imagedata fileref="screenshots/filters&scs;"/> - </imageobject> - </mediaobject> -</figure> - -<para> -As it stands, these filters are somewhat disorganised! Work is -ongoing to test them with various content and choose a selection which -work well for cinema applications. -</para> - -<para> -If you want to examine them yourself, you may find the A/B option (see -<xref linkend="sec-ab"/>) useful. -</para> - -<para> -After changing the filters setup, you will need to regenerate the DCP -to see the effect on the cinema screen. The preview in DVD-o-matic -will update itself whenever filters are changed, though of course this -image is much smaller and of lower resolution than a projected image! -</para> - -</section> - -<section> -<title>Scaling</title> - -<para> -If your source material is not of the DCI-specified size, or if it -uses non-square pixels, DVD-o-matic will need to scale it. The -algorithm used to scale is set up by the <guilabel>Scaler</guilabel> -entry in the film setup area. We think ‘Bicubic’ is the -best all-round option, but tests are ongoing. -</para> - -</section> - -<section xml:id="sec-tms-upload"> -<title>TMS upload</title> - -<para> -If you have configured details of a TMS in the preferences dialogue -(<xref linkend="ch-preferences"/>) you can upload a completed DCP -straight to your TMS buy choosing <guilabel>Send DCP to TMS</guilabel> -from the <guilabel>Jobs</guilabel> menu. -</para> - -</section> - - -<section xml:id="sec-ab"> -<title>A/B comparison</title> - -<para> -When evaluating the effects of different filters or scalers on the -image quality, A/B mode might be useful. In this mode, DVD-o-matic -will generate a DCP where the left half of the image uses some -‘reference’ filtering and scaling, and the right half of -the image uses a different set of filters and a different scaler. -This DCP can then be played back on a projector and the image quality -evaluated. -</para> - -<para> -To enable A/B mode, click the A/B checkbox in the setup area of the -DVD-o-matic window. When you generate your DCP, the left half of the -screen will use the filters and scaler specified in the <xref -linkend="ch-preferences">preferences</xref> dialogue, and the right -half will use the filters and scaler specified in the film setup. -</para> - -</section> - -<section xml:id="sec-servers"> -<title>Encoding servers</title> - -<para> -One way to increase the speed of DCP encoding is to use more -than one machine at the same time. An instance of DVD-o-matic can -offload some of the time-consuming JPEG2000 encoding to any number of -other machines on a network. To do this, one ‘master’ -machine runs DVD-o-matic, and the ‘server’ machines run -a small program called ‘servomatic’. -</para> - -<section> -<title>Running the servers</title> - -<para> -There are two options for the encoding server; -<code>servomatic_cli</code>, which runs on the command line, and -<code>servomatic_gui</code>, which has a simple GUI. The command line -version is well-suited to headless servers, especially on Linux, and -the GUI version works best on Windows where it will put an icon in the -system tray. -</para> - -<para> -To run the command line version, simply enter: -</para> - -<programlisting> -servomatic_cli -</programlisting> - -<para> -at a command prompt. If you are running the program on a machine with -a multi-core processor, you can run multiple parallel encoding threads -by doing something like: -</para> - -<programlisting> -servomatic_cli -t 4 -</programlisting> - -<para> -to run 4 threads in parallel. -</para> - -<para> -To run the GUI version on windows, run the ‘DVD-o-matic encode -server’ from the start menu. An icon will appear in the system -tray; right-click it to open a menu from whence you can quit the -server or open a window to show its status. -</para> - -</section> -<section> -<title>Setting up DVD-o-matic</title> - -<para> -Once your servers are running, you need to tell your master -DVD-o-matic instance about them. Start DVD-o-matic and open the -<guilabel>Preferences</guilabel> dialog from the -<guilabel>Edit</guilabel> menu. At the bottom of this dialog is a -section where you can add, edit and remove encoding servers. For each -encoding server you need only specify its IP address and the number of -threads that it is running, so that DVD-o-matic knows how many -parallel encode jobs to send to the server. -</para> - -<para> -Once this is done, any encodes that you start will split the workload -up between the master machine and the servers. -</para> - -</section> -<section> -<title>Some notes about encode servers</title> - -<para> -DVD-o-matic does not mind if servers come and go; if a server -disappears, DVD-o-matic will stop sending work to it, and will check -it every minute or so in case it has come back online. -</para> - -<para> -You will probably find that using a 1Gb/s or faster network will -provide a significant speed-up compared to a 100Mb/s network. -</para> - -<para> -Making changes to the server configuration in the master DVD-o-matic -will have no effect while an encode is running; the changes will only -be noticed when a new encode is started. -</para> - -</section> -</section> - -</chapter> - 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