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Otherwise it looks further away in the preview than in in the final DCP
(if the preview is smaller).
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We're already using ceil on the return value everywhere we need to, as
far as I can see.
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Once again the KDM gets its timezone from the cinema.
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digest (#3040).
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upmixer_{a,b}.{cc,h} upload_job.{cc,h}
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This is to allow, for example, pillarboxed 1.78:1 DCPs to be played nicely
on 1.78:1 projectors. DCP-o-matic can now crop the pillarboxing before
display, rather than putting the pillarboxed 1.85:1 onto a 1.78:1 monitor,
thereby adding letterboxing.
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